Murals
Murals, Street Art Achievements
Las Serranas
Mural realizado para el @graffitibuey en Garcibuey, provincia de Salamanca, España, 2025, 12 x 12 m
…. a knowing glance between mother and daughter, embroidery and costumes featuring the intrepid and magical batueca lizard emerging from the thread like an alebrije.
I wanted a sunny and vibrant palette, but very sweet to portray these women from the Sierra de Francia.
For this work, I immersed myself in the ritual of dressing in the traditional clothing of mountain women. Something beautiful, intimate, and feminine, where women prepare together, helping and sharing. There, generations, complicity, learning, and family stories intertwine.
Then, while I was painting, I listened to the people of the village talk about the shape of the earrings, their origins, how every detail echoes in those who wear them because it speaks of a living tradition. They made me think about how their traditions bring the inhabitants of the Sierra together, in something almost tribal where embroidery appears proudly on bags, scarves, flags in houses, and continues to beat in the heart of the community, as if separated from an increasingly globalized world.
I loved letting myself be immersed in that culture to paint, and letting the voice of the community really shine through.
The mural is not mine: it beats with them, with their voice, with their history. ✨
Origines
Bessèges, France, 2023, 12 x 12 m
For the association MIAOU en Cévennes
Further information on Przewalski’s horses from the association Takh
… (our ancestors from the Ardèche region at the time of the Chauvet cave) trying to draw horses.
I wanted to talk about the connection between man and horse since the dawn of time.
I also wanted to talk about prehistoric women. Perhaps they also took part in artistic activities. Today, anthropologists are trying to free themselves from the cognitive biases of a patriarchal society and to restore a different image of women in those times.
I wanted to talk about the ability to observe nature, which enabled Aurignacians to depict such vivid animals, and which today gives us the keys to understanding them better.
I wanted to talk about the desire of the painters of the time to represent not just a simple image, but the essence of the wild horse (in perpetual motion, in an almost shamanic attempt to capture the spirits).
Finally, to talk about this inertia that drives us to make walls talk from one side of the planet to the other, with charcoal, pigments, rollers, bombs, engravings, brushes, stencils … and that is far from stopping.
A nod to the Cevennes National Park and the Takh association‘s super project to preserve and study Przewalski’s horses, a breed of prehistoric horse that almost became extinct.
It’s a mural about my first great passion: horses.
Dancing with horses
Cheltenham, UK, 2024, 4-6 x 12 m
Mural for @Cheltenhampaintfestival 
… based on trust, understanding and reciprocity. Knowing how to generate that synergy is all the subtlety. The movement generated by their dance was also important. Moving with horses is a fine and subtle art. Horses are masters and you have to know how to listen to them. I was inspired by many great horse masters, including the equestrian theatre of Bartabas. The dancer’s name is Dania, She is a capoeirista. I am always moved by the history of capoeira, an art developed as resistance to oppression. It brings together dance art, acrobatics and connection with others.
Speaks of resistance to oppression through art, dance, and humanity.
Cheltenham is a town where horse riding is very important. The work is not really about horse riding but more about horses and the relationship that a human can have with them. It was a pleasure to know that both Hannah and I had always been passionate about horses, and to be able to chat.
Photos by @hannah_judah 📸
Androcles et le Lion
Sant’Angelo, Viterbo, Italia, 5 x 8 m
For the project “Sant’angelo paese delle Fiabe“
This is a revisitation of the story of Androcles and the Lion.
The story tells how a slave, Androcles, escapes and meets a lion in the woods. The lion has a thorn in its paw and asks Androcles for help. After removing the thorn, Androcle and the lion take refuge together. Later, guards find them and imprison them. Some time later, the characters find themselves in the gladiatorial arena, forced to fight, but when they recognize each other, instead of wrestling, they embrace. Taken aback, the judges decide to set them free.
Androcles’ story is about non-violence. We can gain much more by helping each other, by relying on friendship and love.
By taking off his armor and helmet, Androcle makes himself more vulnerable, but ultimately stronger and braver.
Having grown up with horses, for me, a human/animal (and human/human for that matter) relationship based on care and trust will go much further than one based on struggle and domination.
The flower pictured here is Yarrow, a plant with healing properties, a symbol of courage and healing.
Trilli (Tinker Bell)
Sant’Angelo, Viterbo, Italia, 2024, 6.5 x 6.5
For the project “Sant’angelo paese delle Fiabe“
… of Sant’angello Paese delle Fiabe by @alessandrochiovelli. In the narrow streets of this small village in Italy’s Viterbo countryside, frescoes tell stories, tales and legends.
This year, I had to paint Tinkerbell (Trilli in Italian) on the façade of the little souvenir store in the village square called “La grotte de Trilli”.
As all the murals are of local people, I used Ginebra, the little neighbor, as my model.
I loved coming back to this little village, sharing moments with the locals and improving my Italian!
A Tinkerbell with Mayan symbols, because it wouldn’t surprise me if it was on the edge of a lagoon in the Mayan jungle, where lost children canoe gently between the stars at the bottom of the water, between nenuphars, fireflies, the sound of frogs and the eyes of crocodiles glittering on the surface.
The link
Argelès sur Mer, France, 2024, 2.5 x 3 m (x3)
For the Festival URB’ART
… I knew it was a theme that particularly touched me, because I feel Mediterranean.
I decided not to talk about the sea per se, but rather about the shores it unites, its atmosphere and its vegetation, common to all the peoples living around it.
The Mediterranean should be a link, not a frontier where so many people lose their lives.
So I chose to depict one of the symbols of this part of the globe: the olive tree, a symbol of peace, and through it to rekindle notions of fraternity between Mediterranean people, sensitive to the same poetry.
A poem to bring us closer to our brothers and sisters, Mediterranean from Greece or Tetuan, Mediterranean from Sicily or Gaza, Mediterranean from Egypt, Croatia, Argelès or Mallorca…
A poem to remind us that the Mediterranean should be a bond. To remember that we all grew up with the smell of jasmine, that we know how to savor the softness of the summer sunlight between the leaves, that you tasted your skin after coming out of the sea and it tasted of salt, that you felt the midday sun break on your neck, that as a child you played barefoot under the olive trees between the birds… We are Mediterranean.
And as old Pierre Fran used to sing: “and maybe one day the perfume of the maquis, like in the old days, will flood me and carry me in its arms, and maybe one day I’ll see the sea again, the blue waves and the boats in the cove of Peraldo…”.
Wall for Urb’art, a festival organized by the town hall of @ville_argeles_sur_mer thanks to the great energy of Doriane and Jean Marc.
My father’s horses (and my mother’s castle)
Chalap, France, 2024, 6 x 9 m
Private commission
… of the trees on the paths of the Cévennes, we can sometimes discern the prints of freedom left by certain passers-by. Traces that defy time, a whisper of the ancients, which like poetry comes to rest on the ears of those who take the time to listen
IN NA’AY
Tihosuco, Mexico
… , shortly after Mexico’s independence, the little-known, forgotten, and misnamed “Caste War” broke out in the southeast. Suffocated by years of injustice and oppression, the Maya took up arms in a rebellion that lasted approximately 60 years. In Tihosuco, anger against the oppressors led to the defense of freedom and dignity by destroying the peculiar symbol of colonization imposed by the Spanish: the Cathedral. This event led to the eviction of the town and moved the struggle to the jungle.
More than 60 years of abandonment bring with them a new struggle, the struggle for repopulation, recovering land and memory, and thus, little by little, returning to seek the meaning of home.
Today, the struggle of this people continues, because, ironically, the nation once again recovered ownership of the old colonial houses and took them away from their people once more.
Olives
Stornara, Italia, 2023, 2.5 x 4 m
Ephemeral work, Theme “Agriculture”
The Third Caravan of Migrant Muralists: Honduras, El Salvador
The themes of the caravan were: “saving the Lempa River” and “preventing violence against women and girls”.
It was an intense and incredible three weeks.
Thanks to all the team and organizers, and to the Mancomunidad Trinacional Fronteriza Rio Lempa
Raices sin Olvido, Semillas sin Fronteras
Ocotepeque Market, Honduras, 2023
Collaboration with Denis Berrios
During the second week of the Caravana de Muralistas Migrantes, I collaborated with Denis Berrios in the heart of the Ocotepeque market.
We depicted a migrant man, with his house as a backpack, carrying seeds from his land (corn and beans) and his roots torn from the earth. The seeds have sprouted and travelled to the heart in his hand to connect with the other mural.
On the right, I painted a woman looking at the migrant with kindness and nostalgia, the loroco plant growing around her, a plant very common in Honduran markets and food. The bouquets also connect with her heart.
As Denis’ motto says, “we are all migrants” and we can understand the pain of leaving behind those we love, or the nostalgia of thinking of those who have left in search of a better life. Hospitality towards others is a way of connecting heart to heart. Ocotepeque lies on the migrant route heading north. Every day, an average of 6,000 people pass through here…..
I’m grateful for this beautiful experience of painting in the market. It was very nice to share with everyone, and I met some very kind and generous people.
Raices sin Olvido, Semillas sin Fronteras
Ocotepeque Market, Honduras, 2023
La Nina y la Garza ou la Jeune Fille et le Héron
Candelaria de la Frontera, El Salvador, 2023, 4 x 2.5 m.
… it has a palm wing and its feet want to become mangrove roots. Its body is made of izote flowers, El Salvador’s national flower…
What does the heron say to the Salvadoran girl, or the girl to the heron?
If you could communicate with the river that gives life to your universe, what would it talk about?
El Corte ou La Rupture
San Marcos de Ocotepeque, Honduras, 2023, 4.5 x 5.5 m.
… means understanding that physical violence comes after psychological and emotional abuse.
Psychological and emotional abuse are forms of violence that are harder for victims to understand, and therefore harder to recognize, stop and report.
The various facets of psychological abuse disorientate victims, who begin to isolate themselves and lose their self-esteem, self-confidence and self-respect. Victims will find it increasingly difficult to understand what abuse is, and to believe that it’s normal to put up with it.
This means that breaking a violent relationship can be very difficult, and requires courage and help. Breaking the violent bond is essential to healing and finding one’s own light.
Psychological violence in our society is more common than we see or believe. It’s essential to talk about it to reduce it and prevent other types of violence, because it will always increase.
Loving too much is dangerous.
Emotional and psychological violence is already violence, not a step backwards.
Envol vers le futur
Mouans Sartoux, France, 2024, 18×4.5 m
Aimée Legall school wall in Mouans Sartoux
Made possible thanks to the @unwhite_it association during the @festivaldulivremouans_sartoux
… I’ll be walking with my binoculars among the migratory birds that go far and wide, telling stories of landscapes and cultures all different and all wonderful. I’ll fly with them with an upside-down compass, over borders and breezes. I’ll plant olive trees so that those who eat olives and discern between the sun’s rays, the taste of the ancestral wisdom of its bark.”
From left to right: Lina and Melvil, the Black Stork, the White Stork, the Hairy Crake, the Spoonbill, the Arctic Tern (top), the Falcinella Ibis, the Common Grackle, the Least Bittern.
Thanks to @ville_de_mouans_sartoux , to the @festivaldulivremouans_sartoux , to Vincent, to Cyrille ( who took care of everything !) to Clément, and to the Festival volunteers who were at the top of their game.
Inspiration: Franck Felzner @wild_moments_frankfetzner And Cyrille @omniscience_ed for sharing some bird photos from the “Passion Oiseaux” book ( photos by @bastienjuifnaturephotography and Laurent Bossay.
Photo: @mileneservellephotographe
The House of Happiness
Rabat, Morocco, 2024, 2 x 10 m
Private commission
Improvised collaboration with @rassanefadili @rzsalma and @fennoha in Rabat with @ikkimahna et @khatib.nour .
We paint, we rework, we paint, we garden, there’s a jasmine, ants, big trees, we drink mint tea, we think, we improvise, we let ourselves be carried by the moment, we pick up the brushes again, the children participate, the dogs have a blast, a little almond cake? Aunts come to chat, friends drop by, the music starts, the lights come up… It’s a house of happiness.
Hoda and the Caracal
Casablanca, Morocco, 2024, 3.5 x 8 m
@alouane_bladi in Casablanca, Morocco.
The Caracal is a small African feline endangered in Morocco. It was last seen in 2016 between Mrirt and Azrou in the Middle Atlas. The causes of its disappearance are thought to be environmental degradation and the destruction of plant cover, as well as a reduction in prey biomass.
Cats are very popular in Morocco. However, this big, pointy-eared cat is little-known because of its stealth.
Here’s to all these magnificent animals that roam the biosphere and with whom we should be able to share our planet.
Visiones
Tulum, Mexico, 2024, 4 m x 2.6 m
Private commission for the restaurant Kalusa
Anita
Sendero Verde Tulum, Mexico, 2025
📷: @victorfrancisco_mc
Générations
Chouilly, Champagne, France, 2023, 3 x 6 m
Interior decoration for the cellar of “Champagne Juliette Petret“
Le coyote de Méditerranée o la Vulpe
Stornara, Italia, 2022, 3.5 x 9 m
For the festival Stramurales in Stornara , theme “Liberta”
It roams the “macchia”, the meadows. Its fur takes on the scent of wild plants and its eyes are filled with a thirst for freedom. The fox doesn’t stop at fences or gates, like many souls balancing on borders.
He represents the daisy, Italy’s national flower. The olive and laurel, emblematic of the Mediterranean, the oak for its strength, the sativa oat for its particular way of dispersing seeds (it also catches the fox to plant itself on the other side of the field, avoiding the genetic impoverishment of the species) and the opium for having a flower that loses its petals when cut, because its beauty is only admired when it’s alive and free.
El Abrazo de las Garzas Agamis
Stornara, Italia, 2023, 4 x 6 m
For the festival Stramurales à Stornara theme “Desperate World”
The Agami is a magnificent Latin American heron, yet it’s in danger of extinction.
Preserving nature and species from extinction means preserving the beauty and poetry of our world.
Who hasn’t let himself be carried away for a moment by his worries, admiring a flight, colors or listening to a bird’s song? Who hasn’t found peace?
Poetry, beauty and art can save the world, and this light of hope is in our hands.
Thanks to Liz, my friend and admirable woman 😘 who has been my role model.
COYOLXAUHQUI
pour @casa_tenoch69 , Tulum, Mexique, 2025
In the early morning of February 21, 1978, the Mexica moon goddess, sister and antagonist of Huitzilopochtli, the sun god, emerged imposingly from the bowels of Mexico City’s Historic Center after having remained buried for centuries.
Legend has it that Coatlicue, Coyolxauhqui’s mother, was the goddess of fertility. She gave birth to her and her 400 brothers called Centzonhuitznáhuah, “the 400 southerners.” One day, upon finding a ball of feathers, she became pregnant again. This enraged Coyolxauhqui, who decided to kill her, and followed by her 400 brothers, she marched to the hill of Coatepec. But at the moment of killing her, Huitzilopochtli, the hummingbird and Sun God of War, was born to defend his mother. Huitzilopochtli decapitated his sister and sent her head to the sky, where it became the moon so that his mother could see it every night, and he dismembered her body before throwing it down the mountain. He then pursued the 400 brothers, who scattered like stars in the sky.
This is how he established day and night, a duality between the sun and the moon, and how the era of Huitzilopochtli’s splendor began.
Festival @graffitea.cheste , Valencia, Spain, 2025
Collaboration with @roseta.fs
Recuerdos de una infancia en la playa
Tulum, Mexico, 2023, 3 x 10 m
…“se terminó” is “se gastó”, it is “chupi”.
Chupi paradise, chupi that beach without stepping on, chupi the access.
I discovered that the memories are not real because the mind transforms them, sometimes you remember only the beautiful, or only the bad, the faces are erased and the colors are changed.
So what is left of paradise?
I want to know if the memories are spent as much as the paradise is spent?
“In k’aat in bon le ch’iich’oob kin k’aajsico’ob” means ‘I want to paint those birds I remember’.
Like memories in the wind, the birds pass so quickly, infiltrating the breezes and the waves, and you remember a wing shining in the sun, like a flash, the sunset flight of a memory.
That wall is a tribute to Sian Ka’an, a cry for those lands, a poem for the people of Tulum, who knew his childhood, a simple and quiet Tulum, to those who love to get lost on a beach with the only music of the waves and the wind in the palm trees, who need nothing more than to see the colors that the sunset paints to return to itself and that can soar with the flight of a bird.
Piscis
Collaboration with Alaniz
Holbox, Mexico, 2023, 2 murals 10.5 x 5.5
For the hotel PISCIS
We were asked to do something related to the sign of Pisces. We decided to create two women, one sinking into the depths of the ocean, the other appearing on the surface, inspired by the symbol of the astrological sign, but also by the perpetual cycle of life where sometimes you have to touch the bottom to find the light.
It took 3 weeks of hard work, but we’re very happy with the result.
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